Bonnie Tharp Books
I heard a speaking coach the other day talk about writing for an audience. She said that “it’s critical to maintain a balance between facts and emotion. Humans want both, but it’s the emotion that engages the reader.” That’s good advise for all types of writing, fiction or non-fiction.
One of the things new writers seemed to have difficulty with is point of view, especially when we’re writing something as complex as a novel. But we don’t want to confuse the reader or give them whiplash from changing POV several times in a chapter. Personally, I find it difficult to become engaged if there are two many points of view, you just get to know one character a little bit then you’re off in the head of another.
It’s very important to be consistent in your point of view. Make sure the one you choose, whether it’s first person (I) or third person (he/she) or whatever, works best for the story. I wrote a short story from a young woman’s point of view (first person) and found it very limiting. There were things that couldn’t be described because she couldn’t have seen them. So, I rewrote it in third person, and it seemed to work better.
A writing buddy of mine wrote one of her novels in both first and third person. The main character is always in first for the whole chapter. The remaining characters are written in third for the remaining chapters. It seemed to work fine for the story, and it didn’t confuse me as a reader at all. If I recall she said she had a hard time selling it for that reason.
We also need to make sure what our character is experiencing or feeling is possible, and that the reader can suspend their disbelief. Whatever worlds we build on the page must become “real” to the reader.
Using first readers or reading your work aloud can help identify slips in POV. Whatever you do, keep writing! There are many stories to be told, and we have an obligation to get them out there (besides, it’s fun).